Many congratulations to George Saunders - the winner of the Man Booker Prize 2017.
The winning book, Lincoln in the Bardo focuses on a single night in the life of Abraham Lincoln: an actual moment in 1862 when the body of his 11-year-old son was laid to rest in a Washington cemetery. Strangely and brilliantly, Saunders activates this graveyard with the spirits of its dead.
Lola, Baroness Young, the chair of this years judging panel said, "The form and style of this utterly original novel, reveals a witty, intelligent, and deeply moving narrative. This tale of the haunting and haunted souls in the afterlife of Abraham Lincoln’s young son paradoxically creates a vivid and lively evocation of the characters that populate this other world. Lincoln in the Bardo is both rooted in, and plays with history, and explores the meaning and experience of empathy."
On 22 February 1862, two days after his death, Willie Lincoln is laid to rest in a marble crypt in a Georgetown cemetery. That very night, shattered by grief, his father Abraham arrives at the cemetery, alone, under cover of darkness.
Over the course of that evening, Abraham Lincoln paces the graveyard unsettled by the death of his beloved boy, and by the grim shadow of a war that feels as though it is without end. Meanwhile Willie is trapped in a state of limbo between the dead and the living – drawn to his father with whom he can no longer communicate, existing in a ghostly world populated by the recently passed and the long dead.
Unfolding in the graveyard over a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a thrilling exploration of death, grief and the deeper meaning and possibilities of life.
This book is available in our library as braille, giant print and talking book (TB23946).
Check out the full shortlist, including interviews with all of the shortlisted authors
4 3 2 1 by Paul Auster
On March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous and independent fictional paths.
Four Fergusons made of the same genetic material, four boys who are the same boy, will go on to lead four parallel and entirely different lives. Family fortunes diverge. Loves and friendships and intellectual passions contrast. Chapter by chapter, the rotating narratives evolve into an elaborate dance of inner worlds enfolded within the outer forces of history as, one by one, the intimate plots of the four Fergusons’ stories rush on across the tumultuous and fractured terrain of mid-20th century America. A boy grows up – again and again and again.
Linda, age 14, lives on a dying commune on the edge of a lake in the Midwest of America. She and her parents are the last remaining inhabitants, the others having long since left amid bitter acrimony. She has grown up isolated both by geography and her understanding of the world, and is an outsider at school, regarded as a freak.
One day she notices the arrival of a young family in a cabin on the opposite side of the lake. She starts to befriend them, first their four-year-old son Paul, and then his young mother Patra, who is also lonely and isolated. For the first time she feels a sense of belonging that has been missing from her life.
Leo, the father, is a university professor and an enigmatic figure, perpetually absent. When he returns home, Linda is shunned by the family unit. Desperate to be accepted again, she struggles to resume her place in their home and fails to see the terrible warning signals, which have such devastating consequences.
In a city swollen by refugees but still mostly at peace, or at least not yet openly at war, Saeed and Nadia lock eyes across their classroom. After a while, they talk, he makes her smile and they start to fall in love. They try not to notice the sound of bombs getting closer every night, the radio announcing new laws, the curfews and the public executions.
Eventually the problem is too big to ignore: it’s not safe for Nadia to live alone and she must move in with Saeed, even though they are not married, and that too is a problem. Meanwhile, rumours are spreading of strange black doors in secret places across the city, doors that lead to London or San Francisco, Greece or Dubai. One day soon the time will come for Nadia and Saeed to seek out one such door, joining the great outpouring of those fleeing a collapsing city, hoping against hope, looking for their place in the world.
Daniel is heading north. He is looking for someone. The simplicity of his early life with Daddy and Cathy has turned sour and fearful. They lived apart in the house that Daddy built for them with his bare hands. They foraged and hunted. When they were younger, Daniel and Cathy had gone to school. But they were not like the other children then, and they were even less like them now. Sometimes Daddy disappeared, and would return with a rage in his eyes. But when he was at home he was at peace. He told them that the little copse in Elmet was theirs alone. But that wasn't true. Local men, greedy and watchful, began to circle like vultures. All the while, the terrible violence in Daddy grew.
Elmet is a lyrical commentary on contemporary English society and one family's precarious place in it, as well as an exploration of how deep the bond between father and child can go.
Autumn. Season of mists and mellow fruitfulness. That's what it felt like for Keats in 1819.
How about Autumn 2016? Daniel is a century old. Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.
Autumn is a meditation on a world growing ever more bordered and exclusive, on what richness and worth are, on what harvest means. This first in a seasonal quartet casts an eye over our own time. Who are we? What are we made of? Shakespearian jeu d'esprit, Keatsian melancholy, the sheer bright energy of 1960s Pop art: the centuries cast their eyes over our own history-making.
From the imagination of Ali Smith comes a shape-shifting series, wide-ranging in timescale and light-footed through histories, and a story about ageing and time and love and stories themselves.